Cyclical Structure of Narcissus & Goldmund by Herman Hess :: Goldmund Herman Hess

Cyclical Structure of Narcissus and Goldmund Narcissus & Goldmund, by Herman Hess, contains a distinct cyclical organise. This structure is contributed to through characters, themes, ideas, times, and places. Each of these elements facilitate the development of an organized, creative work, delving deep into the charitable psyche to reveal that both Narcissus and Goldmund atomic number 18 players in the same game. there are three separate trolls present in the novel. The first cycle occurs during the first year or two after Goldmund has left Mariabronn. It concludes with Goldmund witnessing a woman giving birth. He sees in her face the face of completely of the women he has ever been with, and this connection between love and birth purges him of the barren passion he felt for Lydia. Characters in this cycle, almost exclusively women, are seen as objects. They are erotic, sensual, and physical, but nonhing else. They have no proportionality beyond that of a sexual outlet for Goldmunds blind passions. on that point is an impression of a transience present in the beat-world, manifested in Goldmunds many affinitys. This is demo most clearly through Lise, when, after she and Goldmund contrive love together, returns to her home for the night. This happens with other characters as well, most of them having husbands to return to, and Goldmund feels imposition because of this knowledge. All of the meetings between Goldmund and his lovers occur at night, and bears a strong relationship with nature, specifically, animals, trees, and plants. As the cycle continues, Goldmund experiences final stage as well as life, demonstrated by his killing Victor over a gold coin. Ideas presented deep down this cycle include the need for commitment. As Goldmund was before a natural spring lover, he is now a hunted murderer, but he does not at this point in the novel, realize that death, equated with the season of winter, are elements of the mother world. The second cycle beings after Goldmund witnesses the woman giving birth. In this cycle, Goldmund sees death and decay, and the beauty present in each. From Niklaus statue, Goldmund begins to see the blend of beauty and pain, and he decides to pursue the world of art, under Niklaus. Goldmund sees in art a blending of the mother and father world. The characters Goldmund comes in contact in this cycle take a leak a definite image of pain and death. This is exemplified in the plague scene, wherein Goldmund comes to harm with death, and understands how it transcends, as art does, the mother and father worlds.